DoctorBarbara Garrie

Cecil and Elizabeth Kelly: A Social History of Art in Canterbury

Ways of Knowing

The Importance of Here and Now: An investigation into cross-cultural curatorial methodology

Hiraeth and a side of nettle soup

The Private Lives of Public Buildings

Waiting in a Mountain: Spatio-temporal returns towards the vibrant digital in the work of Sorawit Songsataya

Reflecting Art Practices: Feminist Modes of Information Sharing

Can images of cruelty inflicted on other species truly create change?

Renegotiating British Imperialism in Public Space: How British Artists are using public installation art to critique the institution.

Glimpses through the Lens – Photography and its Impact on the Field of Museology

The intersection between luxury fashion and contemporary art.

Corporate Masquerading in Contemporary Art: The Appropriation of Business Aesthetics in Art Practice.

From site-less project based organisation to contemporary art space: An analysis of The Physics Room Gallery in Ōtautahi Christchurch during the 1990s.

"No, we don't need you." Maori contemporary artists, feral poetics, and the possibility of decolonial methodologies for Pakeha/Tauiwi arts-workers

Beyond the Gardening Impulse

Disrupting Art: Blockchain and the Future of Art and the Art Market

I went to an art exhibition and all I got was this lousy tote bag

Representing 'the Sunny Britain of the South': Visual Cultures of Weather in Nineteenth-Century Aotearoa New Zealand

Imagining Antarctica: Responses from Contemporary Artists

Ian Athfield: Architect - Five Decades, Five Projects

The Ōtākaro/Avon River: Site-specificity and public sculpture in a river environment

Curatorial Strategies in Contemporary Art in Australia and New Zealand

Francis Upritchard and Jealous Saboteurs

Queer Abjection

Laying Down Foundations: Reflecting on Disaster Management Planning in Museums in Christchurch after the 2010 and 2011 Earthquakes