DoctorErin Harrington

Senior Lecturer Above Bar

English

  • Senior Lecturer Above Bar
    English

TEACHING & SUPERVISION SUMMARy

I am an award-winning teacher with a diverse skill set. I am a Fellow of the Higher Education Academy (Advance HE), and I have a Postgraduate Certificate in Tertiary Teaching.

 

 I currently teach the following courses:

  • CINE223/CULT214 Sex and Sexuality on Screen (sex, sexuality, bodies and censorship on screen in American film from pre-Code cinema to the present day)
  • CINE225 Strange Bodies: Contagion, Transformation and Hybridity on Screen (intially a response to Covid 19, but now a course considering films from varied genres and tones that explore the limits and capacities of bodies)
  • ENGL213/CINE224 Childrens' Classics: Popular Children's Texts and their Representation on Film (co-taught with Dr Dan Bedggood - adaptation studies through the lens of literature and film for young people)
  • ENGL313/CULT317 Scream Theory: The Changing Face of Fear (horror storytelling and media, across forms, from theatre in the late 1800s to digital horror in the present day)
  • ENGL232/CULT202 Cultural Politics/Cultural Activism (and introduction to Cultural Studies methodologies, and a survey course in critical theory)

 

I also contribute to undergraduate and postgraduate courses in our Writing and Creative Writing majors.


I have previously taught courses across subject areas and disciplines, including independent media (postgraduate course), drama and dramaturgy, gender and sexuality studies, and creative writing.  I have taught into first year English and Cultural Studies survey courses, and have guest lectured for courses elsewhere in the university (including the French programme and the Digital Screen degree).

 

I won a prestigious UC Teaching Award for Outstanding Teaching and Learning Transformation with my colleague Dr Zita Joyce (Media and Communication). We taught and developed the Faculty's compulsory Masters / Honours course ARTS401 Arts Research and Scholarship: Introduction to Theories and Methods. This large and demanding course, which included cohorts of up to 45 postgrads each year, brought in dozens of experts across many fields, and included significant pastoral support and professional skills building components.

 

I am very interested in alternative pedagogies and assessment models, including creative approaches such as zine-making and in-class gaming sessions. I am active in skills development and sharing, including in developing an upcoming screen studies pedagogy dossier for the Screen Studies Association of Australian and Aotearoa New Zealand. 

 

I am Programme Coordinator for the Cultural Studies programme, an interdisciplinary programme that brings together courses from across the Faculty of Arts. I am the point of contact for the Gender and Sexuality Studies minor, and the BA specialisation in Creative Industries and Contemporary Practice. I am happy to speak with students about study options in these fields.

TEACHING & SUPERVISION

  • RESEARCH-BASED DEGREE SUPERVISION
    Topic on sinophone ghost film / horror narratives
    1 Aug 2025
    Bi, Kaihui
  • RESEARCH-BASED DEGREE SUPERVISION
    Topic on ocularcentrism in body horror
    1 Mar 2025
    van Oosten, Kenji
  • RESEARCH-BASED DEGREE SUPERVISION
    Topic on memory and materiality in film
    1 Feb 2025
    Hall, Samuel
  • RESEARCH-BASED DEGREE SUPERVISION
    Topic theorising polyamorous 'throuple' relationships in popular film
    1 Feb 2025
    Hill-Sherman, Saoirse
  • RESEARCH-BASED DEGREE SUPERVISION
    Title TBC - topic related to Taylor Swift fandom
    1 Jul 2024
    Thomson, Indica
  • RESEARCH-BASED DEGREE SUPERVISION
    Fairy tale / science fiction hybrids [MWRIT project - short story collection]
    1 Feb 2024
    Meuldijk, Jennie
  • RESEARCH-BASED DEGREE SUPERVISION
    Title tbc [MFA project in moving image]
    1 Feb 2024
    Elliot, Felix
  • RESEARCH-BASED DEGREE SUPERVISION
    Archival histories of Māori theatre [PhD thesis]
    1 Sep 2023
    Mahaka, Waimere
  • RESEARCH-BASED DEGREE SUPERVISION
    “I love a threesome, but I just don’t want to do it with my wife!”: Relationships, gender performance, and production in season 10 of The Bachelors Australia [Honours research essay]
    3 Jul 2023 - 1 Nov 2023
    Paranihi, Devon
  • RESEARCH-BASED DEGREE SUPERVISION
    Why Do People Keep Turning into Flies?: A Post-human Reading of the Dipteran Politics of Langelaan, Neumann and Cronenberg [Honours research essay]
    3 Jul 2023 - 1 Nov 2023
    van Oosten, Kenji
  • RESEARCH-BASED DEGREE SUPERVISION
    Sensationalised Suffering: A Historical Dissection of the Mondo Genre [MA thesis]
    1 Mar 2023
    Gee, Ewan
  • RESEARCH-BASED DEGREE SUPERVISION
    Retelling and Reinventing: Mina Harker and the Female Vampire in Twentieth-Century Film Adaptations [Honours research essay]
    1 Feb 2023 - 1 Jul 2023
    Meuldijk, Jennie
  • RESEARCH-BASED DEGREE SUPERVISION
    To Live Deliciously or in Delusion? How Suspiria (2018) and The Witch (2015) are Equally Proficient Examples of Elevated Horror [Honours research essay]
    1 Feb 2023 - 1 Jul 2023
    Preston, McKenzie
  • RESEARCH-BASED DEGREE SUPERVISION
    Dreams of a Faraway Land [MWRIT project - novella]
    3 Jan 2022 - 1 Feb 2023
    Boyland, William
  • RESEARCH-BASED DEGREE SUPERVISION
    Ecocriticism, Anxiety, and Children’s Picture Books [Honours research essay]
    1 Jul 2021 - 30 Nov 2021
    Hey, Johanna
  • RESEARCH-BASED DEGREE SUPERVISION
    Articulations of beauty in horror [PhD thesis]
    1 Apr 2021 - 1 Mar 2024
    Prentice Jr, Donald
  • RESEARCH-BASED DEGREE SUPERVISION
    A Day in the Sun [MWRIT extended project - playscript]
    1 Feb 2021 - 17 Dec 2021
    Lydiard, Sean
  • RESEARCH-BASED DEGREE SUPERVISION
    From Fables to Fanfic: An Examination of Transformative Texts through Subversion, Sexuality, and Social Commentary [MA thesis]
    1 Feb 2021 - 1 Aug 2022
    Jones, Sarah
  • RESEARCH-BASED DEGREE SUPERVISION
    The Impact of Female Authorship on Female-Focused Horror Films [Honours research essay]
    1 Feb 2021 - 1 Jun 2021
    Truman, Kristen
  • RESEARCH-BASED DEGREE SUPERVISION
    The Subculture of the Lurker: participatory non-participation in digital subculture [MA thesis]
    4 Jan 2021 - 1 Jun 2022
    Wyndow, Jackson
  • RESEARCH-BASED DEGREE SUPERVISION
    Updating the Bernstein Model: Engaging new audiences with through classical music [PhD thesis]
    1 Apr 2020 - 1 May 2022
    Cohen, Beth
  • COURSE TAUGHT
    Arts Research and Scholarship: Introduction to Theories and Methods
    1 Jan 2020 - 31 Dec 2024
    ARTS401
  • RESEARCH-BASED DEGREE SUPERVISION
    Out of the Dungeon: Social networks and the development of the BDSM (Bondage, Discipline, and Sadomasochism) communities in Christchurch, New Zealand [PhD thesis]
    1 Sep 2019 - 1 Feb 2020
    Smith, Hannah
  • RESEARCH-BASED DEGREE SUPERVISION
    Casting Shadows: Byronic Irony as transformation in J M Coetzee’s Disgrace [Honours research essay]
    1 Jul 2019 - 1 Nov 2019
    Hinchliff, Jane
  • RESEARCH-BASED DEGREE SUPERVISION
    Casting Shadows: Byronic Irony as transformation in J M Coetzee’s Disgrace. [Honours research essay]
    1 Jul 2019 - 15 Nov 2019
    Hinchliff, Jane